Andrew Schubert Tag

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Current Setup?
Panasonic Hvx 200p Century Xtreme Fisheye Cavison support rails and occasionally my girlfriends Cannon t5i.

First setup and what got you into filming/editing in the first place?
First true setup was a Sony Vx2000 with an Mk2 fisheye. (bought it off a guy who used it to film finger boarding…) before that I had this dad cam my dad used for work with a modded fisheye which had way to much vig, but it was awesome!

I’d say what got me into it was probably just having footage/videos to look back on. That and creating something to share with others, and portraying bmx/trips the way I wanted to express them.

Who are some of your favorite people to film and what have been some of your favorite edits/ parts you’ve done?
I generally enjoy filming everyone, friends, pretty much anyone who loves riding bmx and is enjoyable to film, and by that I mean has fun.

As for favourite edits/parts I’d have to put “RVBC AIN’T NOBODY GOT TIME FOR THAT” at the top of that list. To me that trip was everything bmx is about for me, the video just came together so naturally, and still to this day I can look back and enjoy that video as much as I enjoyed the trip. Watching it now, I can still remember every detail of the trip, that is probably my favourite part about it. It is also probably the only video I have made where I would not change anything after watching it a few times, that is saying something, I can usually always find something in my own work that I wish I did differently. https://vimeo.com/50702794

Others I enjoy are:

The Tables and Tribulations of James Van De Kamp https://vimeo.com/45334718

Can you take me there. https://vimeo.com/37151246

Owen Dawson – Division Brand https://vimeo.com/105319109

There’s Cheng! https://vimeo.com/56645416

 

Coming from someone who’s filmed SD and HD, what’s your take on that debate?
I love both. My biggest thing with HD is texture. When you see SD footage it always has a distinct texture to the film, making it timeless in my opinion, much like old photos, they just have a look to them that is timeless. Now that HD has become the norm, texture in film is becoming more noticeable in certain cameras and peoples work. There is no denying HD is the way to go these days, no tapes, no frame drops, and a very clear visual experience. Cameras are only getting more and more amazing however I don’t think I will ever have a setup I will love more then my VX1000 Mk1 lens tho. I still try and stick to the classic style of filming I grew up watching, low and close, skate style if you may. Like everyone says it’s not the camera, its how you use it, can’t be more true.

As a sponsored rider do you ever find it tough to balance filming and riding? Is it tough for you to get footage of yourself that your stoked on the footy, like that is filmed as well as you try to film others?
No not really, I do find I will either get into filming or riding during a session tho. Its hard to go from filming to riding, my mindset for both are pretty similar, when i’m in front of the camera I am giving it my all and when I am behind the camera I try just as hard. For me it is just as rewarding seeing your friend get a clip and knowing you did your best to make it look good.

Filming is not always super easy, and I feel its hard to answer that question, obviously there is a way I imagine a clip looking, I won’t ever be able to not in vision a way something could be filmed. I think that is a good thing tho. I’m pretty lucky having guys like Luke Santucci and Brad Hill living in the same city as I am. Both of them know there way around a camera very well. Also have a few other friends that are pretty good at filming, I’m very thankful for that.

 

Any tips or advice you can offer any young filmers out there that you wish you had when you were getting into it?
I feel that most everything I learned about filming was pretty much self taught. More then anything what I felt helped me was watching videos from the filmers standpoint. Put yourself behind the lens in every clip filmed in the video and you will start to figure out what angles work for what stunts. Other tips would be keep the camera steady, don’t be afraid to get close with the fisheye, learn to film lines on a skate and be pride full in what you are doing. But most of all have fun with it!

It appears the 11th iteration of the critically acclaimed Eye Sore series has been hijacked. The newly formed, Vancouver based shop Atlantis, has risen above the tides and hit up the streets. These hard Haida pirates will hijack any tanker, tugboat, or dingy in the Georgia Straight. Look out!

Andrew Schubert put this rad edit together for us featuring Brandon Van Dulken, Matt Desson, Barrett Skylerchuk, Travis Sexsmith and Mat Ridgeway have a time at the new park in Cloverdale, BC.

Filmed & Edited
Andrew Schubert

Andrew Schubert’s been filming for this one most of the year and it shows. So much good stuff throughout. October 2014 is officially Canada’s month, so many rad edits dropping!




Dave has been cruising around the Vancouver, riding with the homies, and stacking clips with his phone. It appears Dave has traded in his potato, for a phone that films some crispy HD! Featuring: Dave himself, Andy McGrath, Jordan Hango, Cory Walsh, James Van De Kamp, Shelby Hare, Jordan Fair, Amos Franke, Chris Smith, Dave Laliberte, Andrew Schubert, Zach Rampen, Randy Moffat, Nik Muryn, and Cary Lorenz. Check it out!

Somehow we missed the boat on this one, Owen Dawson killing rails in Western Canada. This is too good to be online, should be a full on DVD section.

“This is the result of Teddy Eyob convincing me to stay at his house in Calgary. Andrew Schubert ended up being in town at the same time and took me to some of the best rails I’ve ever ridden. Both of them are dialled humans and showed me the best time I’ve had all summer. Can’t thank them enough.”
– Owen Dawson