THE NORTHERN EMBASSY

Brandon Webster Nose Manny
Brandon Webster filming in Ontario for MacNeil’s team DVD ‘Any Means Necessary’.

Describe the MacNeil DVD project in one word:
Communal

When did the project start and how long was did it take from start to finish
Any Mean Necessary has been in the works for a few years. From what I’ve been told, at some point in 2012 the riders at the time wanted something a little more substantial. A project that would stand the test of time. Sensing that the team wanted to work on a project as a whole, Darcy started the process of making the project a reality.

A lot has changed between 2012 and now, which can be expected. People get busy, new opportunities arise, and things just change. Any Means Necessary was initially in the hands of Harrison Boyce and landed in my lap in May of 2013.

The majority of the filming for AMN was carried out throughout the summer and fall of 2013. All of the footage was gathered throughout the winter. Since there where a few team changes there was a bit of additional filming throughout the summer of 2014 and the editing process was wrapped by September.

Chijoke Okafo - Crooked grind
Chijoke Okafo, greasin’ a crook in Toronto.

How was working with different footage from different filmers in different formats. You obviously had a great deal of work making everything come together in that sense.
Yeah, we had a wide variety in footage haha. I think there is honestly every type of footage there is out there.

The challenge was to try and keep things constant. It would have been weird if the aspect ratio was swapping between 4:3 and 16:9, so we decided to go with 4:3 and crop any 16:9 footage to fit. The majority of the team was told to film with that in mind, which helped quite a bit.

It’s always challenging dealing with footage you didn’t shoot. Usually when shooting something, the cut is already worked out in your head. Having such a wide array of filmers and footage kind of removes that. The cut, song choices, and sequencing helped solidify the clips into a more cohesive piece.

On the flip side of that, having a bunch of separate filmers allowed for an intimate collaboration between the riders and their filmers. The MacNeil dudes shine in front of any camera at any spot. Sometimes when you get the chance to team up with someone there is a push to puts you on another level when filming for a part.

MacNeil Any Means Necessary Editing Screen Shot
Behind the scenes of the editing of MacNeil BMX’s team DVD ‘Any Means Necessary’

Obviously this format meant that you couldn’t film everyone for the DVD but what guys did you film with a bunch?
I was able to film with a lot of of the west coast guys throughout Vancouver and Victoria. Mainly; Amos, Sam, Greg, Adam, and Jaumell. I did get to film with Silva and Chij while they were in Vancouver but Chij was working on another project and Silva had his part wrapped up pretty solidly at the time.

Amos Franke- Smith GrindAmos Franke, squeezing a smith in on a short/steep set up.

How about the editing process, did you start editing when accumulating footage or wait until the deadline and everything was in? How long do you figure you spent editing the dvd
I played around with footage right from the start. I always play around with the clips to get the vibe and the rhythm of the riding. It helps me figure out the songs and the sequencing quite a bit.

Over the winter, I was working more than full-time and editing the DVD on the side. By May most of the sections were done except for a few of the newer team additions. Once those missing pieces came through, the project was a wrap.

Having worked on this project where you didn’t have control of all filming it is rumoured you’re working on a new project?
Yeah I’ve got a couple things in the works. It probably sounds a little selfish, but it’s nice to have 100% control over something. I’m currently focused on the footage I’ve gathered over the last few years. The majority was shot while I was working on some other things. It’ll be nice to find a home for this footage.

There are also a few more MacNeil projects on the horizon. I have a bunch of footage of a few of the guys on the west coast so hopefully something comes together with all of that.

I’m always into collaboration projects but the stars have to aline for them to happen. If only there was enough time for all of these ideas, haha.

Adam Piatek - Putting in work
Adam Piatek got worked on a rail. The dude got right back up and banged it out Any Means Necessary.

When looking at the first MacNeil dvd and its impact on BMX and BMX in Canada during that era, did you ever feel any pressure to make this dvd top notch on your end? Do you think the MacNeil team felt that and really kept that in mind while filming?
Yeah man! The original MacNeil DVD was amazing and totally ground break for its time. I try to not focus on what has happened in the past. My goal was to make a video that was fun, and highlight some sick Canadian street riding.

As for the riders, I think simply having a DVD to focus on helps a lot for motivation. It’s also nice to all be focused on the same thing for a period of time.

Sam Lowe, Over pegs
Sam Lowe with an over pegs on “Big Black”.

Any last remarks or insides scoops/stories of funny shit that happened while filming the DVD?

After driving 3000km in 3 days, hanging out in VV, Alberta paid off! Amazing how good the spots and pubs are in small towns. A big thank you to the riders and filmers for making this project happen! Thanks to Darcy and Jamie at MacNeil, Jeremy Deme, and all of the homies for the support!

The Editing Station
Any Means Necessary – burning the midnight oil.

“So the cold weather has hit Canada. To protect us BMXers from the cold, there are several indoor parks within a 3 hour span here in southern Ontario. This one (All In) is somewhat new as of 2013, this was filmed on Friday Dec 5, 2014 by Brad Green, one day before the All In full house jam!”

Riders:  Brad Green, Dean Hartley, and Stephane Sum

2014
Thanks for another great year from everyone here at Northern Embassy. Without our readers and supporters we would not exist, thanks for checking us out and making this site your go to for Canadian BMX! An equally huge thanks goes out to all our contributors over the year/ years who have volunteered to help this site stay up to date with Canadian filled content.

2014 was a big year for us with the new site layout, Hidden Gems contest, amongst a ton of original Canadian content. 2015 will be an even bigger year, marking our 5th anniversary! We also want to have a much better layout for events across Canada so that you can keep track of what is happening where throughout the busy summer months, keep track of that on the events tag. We have a couple things in the works at the moment with some of Canada’s finest so check back soon for that!

Thanks for another great year and here’s to many more. Happy new year!

Canada’s very own Jason Enns and Andrew Lazaruk show you that it’s still ok to land in grass. Lazer blasts a cutty curve wall and gaps out to the conveniently grassy street. It turns out you just need to bring the grass along with you, and it’s all good!

silvasetup

When did you pick up this setup?
I was using my Nokia phone for a couple year and my girlfriend got a new iPhone5 so she gave me her old one. It’s a iPhone 4s. I’ve had it for just over a year now.

What is your favorite lens to use on it?
There’s only the fisheye right now, I use that here and there. I like to just shoot long lens most of the time, I noticed it comes out a lot more clear.

What do you think of the SD vs HD debate?
Both are great, I don’t really care much about what is better. HD is cool because it’s clear as it gets. I’ve always been so used to filming with the worst setups for ICC DVD’s; Hi8 cameras, 1chip mini DV cameras, it doesn’t matter to me. It’s better than not capturing something cool on film.

Does the camera/filmer make the shot or does the spot/rider?
Both. Having a great filmer is #1, but that’s a hard thing to come by in Toronto, haha. I’d rather have a great filmer and a shitty camera(or phone) than the other way around. Spots make everything, riders are a dime a dozen these days. If you don’t have good spots you have nothing in my opinion.

How long have you been filming/editing? Any advice for youngsters getting into it?
I got my first Hi8 camera around 2001 or so. I’ve always filmed my friends when I was younger but never really started to edit stuff till the ICC DVD’s around 2004, even then I wasn’t the main guy editing I was more of the producer cause I never had a proper computer or editing program back then. I think I started doing my own actual computer editing around 2008 when I started doing web edits and stuff. My advice would be to just have fun with it, do what you think is cool to you and if anyone tells you otherwise, don’t listen to them, haha.

When’s the next ICC dvd dropping?
That’s a good questions… we just dropped out 5th DVD this spring so I don’t think we’ll have another one out for a year or 2. We’re not doing anything crazy like our old DVD’s. It’s hard getting a bunch of 30 and a couple 40 year olds to film shit, haha, everyone has their own lives going on. But a new DVD will happen, we’re about half way there right now.

All three of the edits below were filmed on phones.

Lot’s of creative riding and rad spots/parks and most importantly good times from Port Hope’s finest. Featuring Tommy Norman, Ricky Kehoe, Connor Boycott, majority of the filming by Adam Monteith.

Dylan Cross put together this chill Vancouver plaza sesh of his homies while out with a broken foot.




Canada’s official Ambassador of Lookbacks has a couple clips in United’s new promo. Jared’s mini-section is tucked in with a whole list of the UK brand’s top riders and Chilko does Canada proud with some solid moves on some simple spots.

Jared Chilko’s clips start at 8:51, for the impatient.

My 2014 featured three major trips.

Matt Desson and the BK crew brought the Cayford Jam back to Kelowna this year for the 10 year anniversary of Chris’ passing. The weekend featured lots of swimming, camping and riding along with everyone’s annual trip to the Winfield Skatepark. Big thanks to Macneil, 1664 and Outbound Cycle for pitching in prizes for the jam and Cyclepath Kelowna for feeding everyone.

On July 4th weekend, 20 of us packed into a few vehicles and headed to Eastern Oregon. This part of Oregon has a few of the unique park designs that you get when the most progressive NW skatepark builders are coupled with small towns that don’t know anything about skateparks. It also has fireworks and professional bull riding. Tony Archibeque Jr. came along for this trip and shot most of the killer footage in this section.

Last up, I made my first trip back to Alaska in five years. Alaska is a special place with a great crew of riders. We managed a pretty good session on one of the state’s best gatherings of random old ramps and fired up the grill for an afternoon.

Next summer is right around the corner. I hope this edit encourages a few of you to get out and explore off the beaten path.